To observe the Day of Hungarian Culture, the Hungarian House of New York and the Balassi Institute, Hungarian Cultural Center, cordially invite you to an event presenting two unique, but dissimilar, paragons of Hungarian culture: the artwork of André Kertész, one of the most influential figures of modern photography, and András Hodorog, flute player from Moldova, one of the last living musicians to play Hungarian folk music in such a distinctive traditional style.
On this occasion, we are also delighted and are celebrating completion of the installation of new flooring and a new stage in the main hall of the Hungarian House of New York.
André Kertész was born in Budapest in 1894 and studied at the Academy of Commerce until he got his first camera in 1912 from his father. In 1925 he moved to Paris, where he did freelance work for many European publications, including Vu, Le Matin, Frankfurter Illustrierte, Die Photographie, La Nazione Firenze, and The Times of London. He bought his first 35-millimeter camera, a Leica, in 1928, and his innovative work with it on the streets of Paris was extremely influential. In 1936, he came to the United States, and began freelancing for Collier’s, Harper’s Bazaar, and House & Garden, among other mass-circulation magazines. Between 1963 and his death, his independently produced photographs became more widely accessible, and Kertész became one of the most respected photographers in America. His work was the subject of many publications and exhibitions, including solo exhibitions at the Bibliothèque Nationale in Paris and at the Museum of Modern Art, and a major retrospective, Of Paris and New York, at the Art Institute of Chicago and the Metropolitan Museum of Art. Among his many honors and awards were a Guggenheim Fellowship and admission to the French Legion of Honor.
Kertész’s work had widespread and diverse effects on many photographers, including Henri Cartier-Bresson, Robert Capa, and Brassaï, who counted him as a mentor during the late 1920s and early 1930s. His personal work in the 1960s and 1970s inspired countless other contemporary photographers. Kertész combined a photojournalistic interest in movement and gesture with a formalist concern for abstract shapes; hence his work has historical significance in all areas of postwar photography.
André Kertész’s photos presented at the exhibit are privately owned by Dr. Erno L. Hollo and Mrs. Iren Hollo.
Suggested donation: $15/adult, $10/student/senior, children under 14 free
Balassi Institute, Hungarian Cultural Center, New York
Hungarian House of New York
National Cultural Fund, Hungary
Bethlen Gábor Fund, Hungary