

máj. 10., V
|New York-i Magyar Ház
Anyák Napi Teadélután az Operában
A szépség és az anyaság ünnepe - csatlakozzon az Amore Operához és a Magyar Házhoz egy Teadélután az Operában élményben, egy zenei ihletésű yum cha-ra rétessel és dim-summal, magyar operaénekkel is kiegészítve.
Idő és helyszín
2026. máj. 10. 14:00 – 17:00
New York-i Magyar Ház, 213 E 82nd St, New York, NY 10028, USA
Az eseményről
Csatlakozzon az Amore Operához és a NY-i Magyar Házhoz, hogy ünnepelje az anyákat és mindent, ami szép, egy vidám Anyák Napi Teadélután az Operában rendezvényen május 10-én, vasárnap, ahol operazenei előadások mellett kínálnunk magyar finomságokat mint rétes vegyes dim-sum kíséretében.
Meghívjuk Önt erre a különleges közösen megszervezett ünnepségre az Amore Opera és a Magyar Ház között, amely nemcsak az anyaság szellemét tisztelegve ígéri, hanem segít abban is, hogy a régóta várt "Faust" az Amore Opera színpadára kerüljön még idén, és segít megosztani a magyar kultúra szépségét a Magyar Ház küldetésének támogatásával. Jegyvásárlásával a szeretet és a megbecsülés gesztusaként kínálja az életében lévő anyáknak (és/vagy aki(k) betölti(k) az anyai szerepet) kiváló zenei előadásokkal, egy kellemes és hangulatos emlékekkel teli teadélután élményt.

PROGRAM (változhat)
Wolfgang Amadeus Mozart – Bei Mannern, welche lieben fühlen,
Vincenzo Bellini – "Mira, O Norma" from Norma,
Wolfgang Amadeus Mozart – "O zittre nicht, mein lieber Sohn" from Die Zauberflöte ("The Magic Flute")
Francesco Durante – Vergin tutt’amor,
Franz Schubert – Ellens dritter Gesang III, D. 839, Op. 52, No. 6 "Ave Maria",
Georges Bizet – Carmen, “Parle-moi de ma mère!”,
Camille Saint-Saëns – "Mon cœur s'ouvre à ta voix" from Samson et Dalila ("Samson and Delilah"), Op. 47,
Emmerich Kálmán – "Mi kell a férfiaknak?",
Pietro Mascagni – "Addio alla madre",
Antonín Dvořák – Songs My Mother Taught Me, B. 104, Op. 55, No. 4,
Wolfgang Amadeus Mozart – "Soave sia il vento" from from Cosi fan tutte ("The School for Lovers"), K.
Giacomo Puccini — "E ben altro il mio sogno" from Il Tabarro
Arrigo Boito – “L’altra notte in fondo al mare”,
Stanislao Gastaldon – Musica proibita ("Forbidden Music"),
Jacques Offenbach – Veszekedő Duett (magyarul) (Les contes d'Hoffmann")
Giacomo Puccini – Suor Angelica, “Senza Mamma”,
Amore Opera Énekesek:
Gillian Watson, Yeawon Jun, Vee Visnov, Jihye Seo
Tomoko Nago, Nikhil Krishna, Charles Gray
Magyar áriák & duet:
Rozs Ildikó & Csonka Tünde
High-Tea (Teadélután): egy teával és uzsonnával egybekötött társasági összejövetel, amelyet rendszerint a délutáni vagy kora esti órákban tartanak. Eredete a 19. századi Angliába nyúlik vissza, ahol a klasszikus angol teázás művészi szintre emelt társasági élmény, különleges süteményekkel és szendvicsekkel
Yum-cha: szó szerint lefordítva "teát inni," ez egy hagyományos kantoni étkezési szokás, amely a teaivást és a különféle dim sum (kis adagos, gőzölt, sült vagy főzött) ételek fogyasztását foglalja magában.
Strudel (Rétes): Kedvelt népszerű magyar sütemény, papírvékony, kézzel nyújtott tésztából, különféle töltelékekkel amelyek jellemzően édesek (almás, megyes-túrós, mákos) vagy sósak (káposztás).
About Amore Opera (NYC) https://www.amoreopera.org/
About Charles Gray, baritone
Originally from Southern California, baritone Charles Gray made his debut as Plagio with Amore Opera in 2011 in the American Premiere of Saverio Mercadante's I due Figaro. Other roles with Amore Opera include Morales in Carmen, Schaunard in La bohème, and Tom in Un ballo in maschera. He has also appeared with various local companies in roles such as Leporello in Don Giovanni, Don Bartolo in Il barbiere di Siviglia, and Lescaut in Manon Lescaut. Beyond opera, his focus extends to art song and sacred music. Charles' likeness is featured in the Amore Opera coloring book.
About Yaewon Jun, soprano
Soprano Yeawon Jun, born in Seoul, South Korea, is now based in New York City. She has performed roles such as Donna Anna (Don Giovanni), the Mother (Amahl and the Night Visitors), Mimì and Musetta (La bohème), Luigia (Viva la Mamma), Sophie (Werther), Cunegonde (Candide), Tytania (A Midsummer Night's Dream), and Nedda (Pagliacci). She earned her bachelor's and master's degrees at Yonsei University under tenor Moolim Kang and completed a PDPL at Mannes School of Music under soprano Diana Soviero. Currently, she is pursuing a DMA in voice performance at Rutgers University with Professor Judith Nicosia.
About Nikhil Krishna, tenor
Tenor Nikhil Krishna teaches high school chemistry in the Bronx. He sometimes sings arias for his chemistry students when they perform particularly well on tests and also serves as the vocal coach for the annual school musical. Mr. Krishna has been performing operatic roles since 2023, first appearing as Detlef in The Student Prince with Regina Opera, and most recently as Mario Cavaradossi in Tosca with New Jersey Lyric Opera. Nikhil studies with Scott Flaherty.
About Tomoko Nago, mezzo-soprano
A native of Tokyo, Japan, Tomoko Nago has sung operatic roles including Annio in La Clemenza di Tito, Frugola in Il tabarro, and Smeton in Anna Bolena. In 2024, Tomoko sang Mercédès in Carmen with Lighthouse Opera Company. She has also sung with Art Song Preservation Society, Amherst Early Music Festival, and New York Continuo Collective. She was a quarterfinalist for the 2020 Mary Truman Vocal Competition. Tomoko holds a Master's in Vocal Performance from Brooklyn College. At BC, she performed Ottavia in L'incoronazione di Poppea and the title role in Dido and Aeneas. She won the 2023 Conservatory Opera Award for the latter role.
About Jihye Seo, soprano
South Korean soprano Jihye Seo is based in NYC. In 2022 she made her New York debut as Diana in Francesco Cavalli's La Calisto. She has also been heard in the role of Donna Anna (Don Giovanni), as Amore (L'incoronazione di Poppea), and as Lydia (Girl from Ipanema). Jihye has performed extensively throughout the US at such venues as WQXR NY Classical Music Radio station's Young Artists Showcase, the German Consulate UN Plaza and the Seoul Arts Center. For the 2025 season, she will make her debut with Teatro Nuovo at New York City Center. Ms. Seo graduated from Seoul National University and Mannes School of Music and studied voice with Arthur Levy.
About Vee Visnov, soprano
Vee Visnov, soprano, is based in New York City and holds a B.A. in Vocal Performance from the Crane School of Music (2016). Their credits include Oberto in Alcina at Chicago Summer Opera; Servillia in La clemenza di Tito and Elettra in Idomeneo at Singthrough Central; Chorus in La Bohème and Don Giovanni at Amore Opera; and Erste Knabe in Die Zauberflöte at the Trentino Music Festival. Vee won second prize at the 2024 Charleston International Music Competition and was a 2023 finalist in the Music International Grand Prix. They also perform with TRANScend NYC and the Opera Collective and have served as makeup designer for many operas, including this production.
About Gillian Watson, soprano
Gillian Watson is an operatic soprano who is currently living in New York, NY. She has performed all over the world from Germany and Austria to here in the United States. Some of her roles include Joan of Arc in the Philadelphia premiere of Tchaikovsky's The Maid of Orleans with the Russian Opera Workshop, Donna Anna with Lyric Opera Studio of Weimar, and the Mother in Hansel & Gretel with the San Francisco Conservatory Opera Theater. She holds both a BM and an MM from the San Francisco Conservatory of Music
About Ildiko Rozs, mezzo-soprano
"Ildikó Rozs is an opera singer, Bartók - Pásztory Ditta Prize-winning performer, and private voice teacher. Born in Székesfehérvár, Hungary, she began her musical studies at the age of 13 and later continued her training at the Bartók Béla Conservatory in Budapest. While still a student, she became a member of the Hungarian State Opera House, where she worked with distinguished conductors including Leonard Bernstein, Lamberto Gardelli, and Pier-Giorgio Morandi, Adam Medveczky.
In 1988, she was awarded the Bartók–Pásztory Ditta Prize by the Liszt Ferenc Academy of Music. She performed with the Hungarian State Opera Chorus for 16 years, during which she also appeared regularly as a soloist in opera and operetta excerpts, as well as in oratorio and sacred repertoire. She took part in more than 30 opera productions and numerous concert performances.
Her concert appearances have taken her across Europe, Japan, and the United States, including a U.S. tour with the Hungarian State Folk Ensemble. In 2003, she earned her master’s degree in Princeton, New Jersey. Her repertoire includes opera, operetta, film music, and sacred music. She is currently based in Princeton, where she is dedicated to teaching and inspiring the next generation of singers while remaining active in select concert appearances.
About Csonka Tünde, voice
Tunde Csonka is a former member of the Győr National Theater, but also played in the Madách Theater and the Vígszínház in Budapest. She sang in the Children's Choir of the Hungarian State Opera House and graduated from Thebe International Theater Academy in 1996. In 2004, she received the Hungarian Radio's eMeRTon award for her leading role in the musical Miss Saigon. A versatile artist who played important operetta, musical and prose roles in Hungary, and regularly performs in American concerts, including performances of Les Miserables, West Side Story, Grease, Fiddler on the Roof, Hyppolit, a lakáj, Hello Dolly!, Hair, The Verona Boys, and Somewhere in Europe. In 2003, she founded the Nem-ÁRT! Skills development school in Budapest, which she led for 12 years.
Ez egy közös nonprofit adománygyűjtő rendezvény az Amore Opera és az AFHLE, Magyar Ház számára. „Az AFHLE, Magyar Ház egy 501(c)3, 509(a)2 nonprofit közjótékonysági szervezet. A jegy árának a 45 dollár/fő feletti része adománynak minősül, amely a törvény által megengedett mértékben adólevonható.”
Ismerkedjen meg jobban az Amore Opera szervezetről itt:
